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"There is no moat, and no drawbridge, and no eyelet-hole through which to spy upon the advance of the enemy," says Darling, in an impressive whisper, just as they turn the curve that leads into the big gravel sweep before the hall door. "A drawback, I own; but even the very greatest are not infallible." Mona, sinking languidly into a chair, turns the note over and over between her fingers, whilst wondering in a disjointed fashion as to whom it can be from. She guesses vaguely at the writer of it, as people will when they know a touch of the hand and a single glance can solve the mystery. "Mona, do you think Elise is right? she is so very positive; are you sure heliotrope is the correct shade to go with this?" Or—.

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"Welcome," said the man, and he motioned to a place where the stranger should sit. Of Violet Mansergh—who is still at the Towers, her father being abroad and Lady Rodney very desirous of having her with her—she knows little. Violet is cold, but quite civil, as Englishwomen will be until they know you. She is, besides, somewhat prejudiced against Mona, because—being honest herself—she has believed all the false tales told her of the Irish girl. These silly tales, in spite of her belief in her own independence of thought, weigh upon her; and so she draws back from Mona, and speaks little to her, and then of only ordinary topics, while the poor child is pining for some woman to whom she can open her mind and whom she may count as an honest friend "For talking with a friend," says Addison, "is nothing else but thinking aloud." He turns to her again. "'Top corner,—right hand,'" goes on Mona, taking no heed of him, and speaking in the same low, mysterious, far-off tone..